Wich (2019) – 15 min.
Symphony Orquesta. 2.2.2. / 2Hr., 2 trpt., Timp., Perc., Strings.
Cosmos (2018) – 20 min.
Large Orquesta. Woodwinds 3, 4-4-3-1-, Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Ongamira – Oda a los Comechingones (2016) – 15 min.
3Fl., 2Ob., E.Horn, 2Cl.Bass-2Fg., Ctr.Fg., 4Hr., 2(Bb)Trpt., 3Trbn., Tba., /Timp., (4).Perc.(4), Harp, Strings.
Prismas desde Formosa (2016) – 25 min.
Fantasy for Orchestra in four movements.
2.2.2.2./2.2.2., Tba./Timp., Perc.(2), Harp, Celesta, Piano and Strings.
Symphony No. 6 (2015) – 40 min.
Large Orchestra. Woodwinds, 4-4-3-1, Timp., Perc.(4), Harp, Celesta, Piano, Large Organ and Strings.
Suite Quasi tango (2011) – 15 min.
(Symphony Orchestra version – Original for Quintet)
Large Orchestra. Woodwinds, 4-4-3-1, Timp., Perc(4), Harp, Celesta, Piano and Strings.
Symphony No. 5 (2004) – 25 min.
Large Orchestra. Woodwinds, 4-4-3-1, Timp., Perc(4), Harp, Piano and Strings.
Elegía por Julia Ponce, de Lavapiés (2002) – 16 min.
Fantasy on a theme from “Lavapiés” in the Albéniz’ Suite Iberia.
Large Orchestra. Woodwinds. 4-4-3-1, Timp., Perc(4), Harp, Celesta, Piano and Strings.
Premiere: Orquesta Sinfónica Nacional Argentina (OSN). Conductor: Christian Baldini. Auditorio Belgrano. Buenos Aires, 2013.
en Abril... (2002) – 4 min.
In Memoriam José Rosa
Large Orchestra. Woodwinds, 4-4-3-1, Timp., Perc(4), Harp, Celesta, Piano and Strings.
Symphony No. 4 (2001) – 24 min.
Large Orchestra. Maderas a 3, 4-4-3-1, Timp., Perc.(4), Harp, Celesta, Piano and Strings.
The Scream (2001) – 12 min. 48 seg.
Tone poem on a painting by Edvard Munch.
Commissioned by CDMC (Spanish Centre for the Diffusion of the Contemporary Music).
Premiere: Joven Orquesta Nacional de España (JONDE). Conductor: Patrick Davin. Internacional Festival of Alicante, 28/9/2001.
CD. Compositors del Conservatori de Badalona.
Cinco grabados para orquesta (1991) – 21 min.
Orchestra. Picc.2 Fl.2 Ob.E.Hr.2 Cl.(Bb) 2 Fg., 4Hr.(F), 4Trpt.(C), 2Trbn., Tba., Perc.(3), Harp, Celesta, Piano and Strings..
Premiere: RTVE Symphony Orchestra. Conductor: Sergiu Comissiona. Teatro Monumental. Madrid, 1996.
Editorial Clivis.
CD. Fundación Ferrer Salat
Symphony No. 1 (1985) – 15 min.
Orchestra. 3Fl (3ºalso picc.), 2Ob., 3Cl.(Bb)(3ºalso picc.Eb), BassCl.(Bb), 2Fg., 4Hr.(F), 3Trpt., 3Trbn.(3ºT.Bass), Timp., Harp, Piano (also Celesta) and Strings.
Premiere: Spanish National Orchestra (ONE) Conductor: José Luis Temes. Teatro Real, Madrid, 1988.
Micrologus (2017) – 16 min.
Mixed Choir and String Orchestra with piano.
Sobre textos de Diego Civilotti.
Tres poemas concertantes (2016) – 12 min.
String Orchestra, Guitar Orchestra, Children Orchestra, 2 Flutes, 2 Bb-Clarinets, Trombone, Bombo legüero and violín concertante.
For the Formosa String Orchestra.
Donde los valles (2016) – 14 min.
Fantasy for solo flute, String Orchestra and percussion.
Commissioned by Raúl Becerra.
Mbaracá jasy hykue ama re (2014) – 16 min.
Concerto for Guitar and String Orchestra.
Text in Guarani: “Moon Guitar melted by the rain”
Dedicated to Ernesto Martínez.
Concert for Tuba and Strings (2006) – 14 min.
Tuba and String Orchestra.
Tres Postales para Marianela (2002) – 12 min.
Dedicated to Marianela Godoy.
Flutes (8), Cl.(Bb), Bassoon, Piano and Strings (without CB).
Concierto de Cámara (2000) – 15 min.
Oboe and String Orchestra.
Dedicated to Cristian Cocchiararo.
Ocultas Geometrías (1999) – 5 min.
Clarinet (Bb) solo and String Orchestra ad-libitum.
Premiere: Exhibition in Can Canyadó, Badalona.
Editorial Clivis.
Cuatro impresiones para cuerdas (1996) – 16 min.
String Orchestra.
Elegía trágica (1987) – 13 min.
Flute solo, Piano, Timp., Flexatone (1) and String Orchestra.
Symphony No. 7 “Requiem” (2018) – 38 min.
To my parents.
Large Orchestra, Bandoneon and mixed Choir.
Orchestra: (Woodwinds, 4-4-3-1, Timp., Perc(5), Harp., Cel., Piano and Strings.
Text in Latin (Requiem) and declaimed poem by Diego Civilotti.
The Nightingale and the Rose (2015) – 30 min.
For countertenor and Large Orchestra.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoon, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(3), Harp, Cel., Piano and Strings.
Dramatic Action in one act on the Oscar Wilde Tale The Nightingale and the Rose.
Robaiyyat (2010, rev. 2020) – 20 min.
For mixed Choir and Large Orchestra.
On the Rubáiyát of Omar Khayyam (texts in persian).
Suite de temas folclóricos argentinos (2008) – 25 min.
Arrangements for Voice and Large Orchestra.
Dedicated to Esteban “Rabito” Velez
La Pomeña; Vidala para mi sombra; La Shalaka; Agosto en Tucumán; Vidala del lapacho.
Cuatro Tangos (2006) – 26 min.
Arrangements for singer and Large Orchestra.
Fugitiva (tango) Piazzolla–La Madrid / Gota de lluvia (vals) Lípesker –H. Manzi / Cuando caigan la hojas (tango) E. Balcarce / Volver (tango) Gardel–Le Pera (with Bandoneón solo).
Premiere: Julià Carbonell- Lleida Symphony Orchestra (OJC). Conductor: Alfons Reverté. Héctor Omar, singer. Lleida, 2006.
Cantata Colón (2006) (work in progress)
On texts by Diego Civilotti
Choir, Bass, Narrator and Large Orchestra.
Elogio por Santander (2004) – 28 min.
Large Orchestra and mixed choir.
Texts by Amos Escalante.
Woodwinds, 4-4-3-1, Timp., Perc(4), Harp, Celesta, Piano and Strings.
Symphony No 3. “The Garden of mist” (2000) – 30 min.
For Choir and Orchestra.
Poems by Hölderlin.
Orchestra: 3Fl., 2Ob., E.Hr., 2Cl.(Bb), B-Cl.(Bb), 2 Bassons, Contrabasson, 4Hr., 4Trpt., 3Trbn., Tuba, Timp.(2), Perc.(4), Piano, Celesta, Strings. Ripieno: 3 Harps, Ob.solo, Cello solo, Vibraphone Iº y IIº, Marimba.
Padre Nostro (1998) – 11 min.
For Soprano, Baritone and Orchestra.
2Fl., 2Ob., 2Cl.(Bb), 2 Bassoons., 2 Horn(F), Perc.(1), Strings.
Symphony No. 2 “Aztec” (1998) – 35 min.
Baritone-Bass solo, Mixed Choir and Large Orchestra.
On Aztec poems.
Momentos del Poeta (1987) – 24 min.
For tenor solo and Orchestra.
Texts by Vladimir Maiakovsky.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(3), Harp, Celesta, Piano and Strings.
Premiere: Argentine National Symphony Orchestra (OSN). Conductor: Reinaldo Zemba. Tenor: Omar Fontana. Buenos Aires (Argentina), 1990.
Cathedral - In memoriam Miquel Roger (2017) – 28 min.
Concerto-Fantasy for Piano solo, Children’s Choir and Large Orchestra.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta and Piano solo.
Children’s Choir* and Strings.
(*Text: Lord’s Prayer in Aramaic)
El sueño de Pigmalión (2012) – 18 min.
For viola solo and Large Orchestra.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons., 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Urdaibai (2009) [a Pilar y Soledad …de Errigoiti] – 18 min.
Fantasy for Txalaparta and Large Orchestra.
Orchestra: 3Fl.(3ºalso picc.), 2Ob.E.Hr.2Cl.(Bb)B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Concierto para guitarra eléctrica y orquesta (2005) – 17 min.
Electric Guitar and Orchestra.
In Memoriam Sergio Javier Godoy
Orchestra 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Concierto para Clarinete (A) y Gran orquesta (2004) – 16 min.
Commissioned by Joan Pere Gil
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(3), Harp, Celesta and Strings.
Auris Resonantiam (2003) – 34 min.
Para violin y orquesta.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Concierto para Bandoneón y gran Orquesta (2002) – 20 min.
In Memoriam Omar Lupi.
Dedicated to Pablo Mainetti and Marcelo Mercadante.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Auris Concertum (2001) – 40 min.
For Violoncello and Orchestra.
Dedicated to the Queen Sofía.
Orchestra: 3Fl.(3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(4), Harp, Celesta, Piano and Strings.
Premiere: 2-7-2009. Coliseo Theater/Colon Theater in Buenos Aires (Argentina).
Buenos Aires Philharmonic. Conductor: Enrique A. Diemecke. Eduardo Vassallo, violoncello.
Recording: National Radio of Argentina.
Variantes concertantes - para piano y orquesta (1989) – 22 min
3Fl., (3ºalso picc.), 2Ob., E.Hr., 2Cl.(Bb), B-Cl., 2Fg., C.Fg., 4Hr.(F) 3Trpt.(C), 3Trbn., Tba., Timp., Perc.(2), Harp, Celesta and Strings.
Rapsodia para percusión y orquesta (1992) – 22 min.
Dedicated a Angel Frette.
Orquestra: Picc., 2Fl., 2Ob., E.Hr., 2Cl(Bb), B-Cl(Bb), 2 Bassoons, Contrabasson, 4Hr.(F), 3Trpt., 3Trbn., Tba., Timp., Perc(2), Arpa, Cel., Pno.Cuerdas.
Percussion solo: Vibraphone, Marimba, Xylophone, C.Claire., T.Tom(1-2), Tam-Tam., Gr.Cassa., Tubular bells.
Premiere: 9-7-1994. Camp de Mart, Tarragona. Barcelona Symphony and Catalonia National Orchestra (OBC). Conductor: Edmon Colomer. Roxan Jurkevich, percussion.